Di questi tempi, in Inghilterra, sembra di vivere premuti sotto le palpebre chiuse di un’intera nazione. Il colpo inferto dal governo conservatore è stato tremendo, e l’isola sta assorbendo il trauma in silenzio, perduta nei sogni di politeness e di gloria di una Grande Bretagna che fu. A due passi dalla veglia frenetica della Francia, l’Inghilterra continua a dormire, camminando sonnambula sotto l’effetto di un mantra da seconda guerra mondiale, che ancora ordina ‘Keep Calm and Carry On’.
UK
The following essay is a short look at the Hannah Barry Gallery, a South London based commercial gallery founded in 2007 by the eponymous Hannah Barry and Sven Münder, as a rudimentary case study of the many small arts organisations continually emerging throughout the capital. The gallery currently exhibits at its main space on Copeland Road, Peckham and on the top two floors of the nearby multi-storey car park, however the origins of the Hannah Barry Gallery begin at an artists squat both named and located at 78 Lyndhurst Way, also in Peckham.
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The following essay is a short look at the Hannah Barry Gallery, a South London based commercial gallery founded in 2007 by the eponymous Hannah Barry and Sven Münder, as a rudimentary case study of the many small arts organisations continually emerging throughout the capital. The gallery currently exhibits at its main space on Copeland Road, Peckham and on the top two floors of the nearby multi-storey car park, however the origins of the Hannah Barry Gallery begin at an artists squat both named and located at 78 Lyndhurst Way, also in Peckham.
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The following essay is a short look at the Hannah Barry Gallery, a South London based commercial gallery founded in 2007 by the eponymous Hannah Barry and Sven Münder, as a rudimentary case study of the many small arts organisations continually emerging throughout the capital. The gallery currently exhibits at its main space on Copeland Road, Peckham and on the top two floors of the nearby multi-storey car park, however the origins of the Hannah Barry Gallery begin at an artists squat both named and located at 78 Lyndhurst Way, also in Peckham.
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The following essay is a short look at the Hannah Barry Gallery, a South London based commercial gallery founded in 2007 by the eponymous Hannah Barry and Sven Münder, as a rudimentary case study of the many small arts organisations continually emerging throughout the capital. The gallery currently exhibits at its main space on Copeland Road, Peckham and on the top two floors of the nearby multi-storey car park, however the origins of the Hannah Barry Gallery begin at an artists squat both named and located at 78 Lyndhurst Way, also in Peckham.
Fish
He hadn’t the time to get changed and the collar of his shirt was starting to annoy him. It was a stiff collar, almost ceremonial. Considering the total price of the shirt, that short strip of fabric must have been worth at least ten pounds. More or less the reimbursement fund for a whole day spent at ‘work’. And, to be at ‘work’, this kind of shirt was compulsory. There wasn’t a real uniform, apart from the price-tag of the clothes.
Stationary
Lettie said, I'm no genius never said I was, but my memory's in shape, know what I’m saying. Had said it to Mikeymike just the day before, down by the Sanitation Area, B Entrance. Had put him straight when he'd been on about the Roller, how long since he'd been seen on The Concourse.
18 months back, Mikeymike had said, when an Economy Toblerone was 41.
Thirtynine, she'd said. And not just that, but if he really focussed he'd remember it was exactly eighteen months ago give or take a week that there'd been talk of the 40 barrier being breached; and how in fact it never had been 41
but jumped straight to 45.
Pesci
Non aveva avuto il tempo di cambiarsi e il colletto della camicia iniziava a dargli fastidio. Era un colletto di quelli rigidi, da cerimonia. Considerando il prezzo totale della camicia, quella strisciolina di amido e tessuto doveva valere almeno dieci sterline. Più o meno il rimborso spese di un intero giorno passato al ‘lavoro’. E, per stare al ‘lavoro’, quella camicia era d’obbligo. Non c’era una vera e propria divisa, se non il prezzo dell’abbigliamento.
TODAY #7
TODAY #7: a publication by Through Europe. Featuring articles by Federico Campagna, Toby Austin Locke, Paolo Mossetti, Franco Berardi Bifo, Nathan Witt. Freely available here.
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