For years European intellectuals like Jurgen Habermas and Jacques Derrida, among many others, have stressed the refrain: “We need to develop an ability of common political decision at the level of the Union.”
The euro version of the Neoliberal Dogma, namely the Maastricht monetarist engine has been producing effects on social life: reduction of wages, cuts of social spending, but the only seemed to be a Big Leap in the creation of the political Union.
In the early autumn of 2010, Sergio Marchionne declared that he lives in the AD era and cannot be dealing with listening to people who come from the time Before Christ. This blasphemous metaphor means that from the moment globalisation came into existence it has become impossible to defend the social rights that predated it.
The following essay is a short look at the Hannah Barry Gallery, a South London based commercial gallery founded in 2007 by the eponymous Hannah Barry and Sven Münder, as a rudimentary case study of the many small arts organisations continually emerging throughout the capital. The gallery currently exhibits at its main space on Copeland Road, Peckham and on the top two floors of the nearby multi-storey car park, however the origins of the Hannah Barry Gallery begin at an artists squat both named and located at 78 Lyndhurst Way, also in Peckham.
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The following essay is a short look at the Hannah Barry Gallery, a South London based commercial gallery founded in 2007 by the eponymous Hannah Barry and Sven Münder, as a rudimentary case study of the many small arts organisations continually emerging throughout the capital. The gallery currently exhibits at its main space on Copeland Road, Peckham and on the top two floors of the nearby multi-storey car park, however the origins of the Hannah Barry Gallery begin at an artists squat both named and located at 78 Lyndhurst Way, also in Peckham.
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The following essay is a short look at the Hannah Barry Gallery, a South London based commercial gallery founded in 2007 by the eponymous Hannah Barry and Sven Münder, as a rudimentary case study of the many small arts organisations continually emerging throughout the capital. The gallery currently exhibits at its main space on Copeland Road, Peckham and on the top two floors of the nearby multi-storey car park, however the origins of the Hannah Barry Gallery begin at an artists squat both named and located at 78 Lyndhurst Way, also in Peckham.
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The following essay is a short look at the Hannah Barry Gallery, a South London based commercial gallery founded in 2007 by the eponymous Hannah Barry and Sven Münder, as a rudimentary case study of the many small arts organisations continually emerging throughout the capital. The gallery currently exhibits at its main space on Copeland Road, Peckham and on the top two floors of the nearby multi-storey car park, however the origins of the Hannah Barry Gallery begin at an artists squat both named and located at 78 Lyndhurst Way, also in Peckham.
"The first thing you have to understand is that this is a fucking professional environment. "It's like any other job. "But its also a lot tougher, you can't blink for a minute, there is always an opportunity to boost your value, make connections, develop your brand. "But we're also not looking for any grandstanding, you aint shit at the moment, and if you peacock yourself around like an asshole, no one is going to want to give your tragic ass a break - no one wants some over inflated ego or some old meat.
He hadn’t the time to get changed and the collar of his shirt was starting to annoy him. It was a stiff collar, almost ceremonial. Considering the total price of the shirt, that short strip of fabric must have been worth at least ten pounds. More or less the reimbursement fund for a whole day spent at ‘work’. And, to be at ‘work’, this kind of shirt was compulsory. There wasn’t a real uniform, apart from the price-tag of the clothes.
TODAY #7: a publication by Through Europe. Featuring articles by Federico Campagna, Toby Austin Locke, Paolo Mossetti, Franco Berardi Bifo, Nathan Witt. Freely available here.
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This work is licensed under a Creative Commons License. Through Europe - 2013
