mortality

Satanic exorcisms upon the surfacing of truth

Written by Franco Berardi Bifo, 14.02.2013
I’m not a fan of Nanni Moretti and I don’t like all his movies, but when I watched Habemus papam I fell on my knees recognizing the greatness of this film. Despite being set against the Barroque background of the Church of Rome – mundane manifestation of otherworldly power, – the movie in fact focuses on contemporary depression: the world built by men has gone beyond human reach, entering the orbit of a technical divinity who has escaped human control. The world that technical power has subtracted from divine will is too complex, too fast. It is so cruel that it cannot be elaborated according to the categories of human thought. The category of divinity itself is only the frail projection of human illusion, and God is useless when we can finally understand the ultimate truth: that there is no truth in our history, no hope – only the pleasure of senses and poetry, and the pleasure of collective construction, which is collective illusion, a sensuous bridge over the abyss of the inexistence of meaning. Caminante no hay camino, el camino se hace al andar.
When we know that there is no path and no arrival point, walking demands an exceeding amount of energy. And energy gets exhausted when entropy gets hold of the brain.

Hiding From the Gods: on emancipation and the Public

Written by Federico Campagna, 07.11.2012
Strength through unity, unity through faith
Norsefire
 
Action within unity!
British Union of Fascists, 1932-1940
 
 
The Reflux
 
Ten years after 1968, Italy was probably the only Western European country in which the wave of rebellion and dangerous dreaming of the 60s hadn’t yet exhausted its energy. The desire for autonomy, communism and communization seemed to be deeply rooted both in the hearts of the factory workers and in those of the students. While the institutional apparatus of the P.C.I. appeared determined to entrench itself within the parliamentary framework and the rhetoric of gradual and progressive social change, myriad other groups were still opting for the uncompromising strategy of full communism ‘here and now’. Countless collective experiences, free radios, workers’ associations and even armed groups were, at that time, still blossoming in almost every Italian city.
 

Nature's Nothing

Written by Federico Campagna, 17.07.2012

I started out with nothin
and I still got most of it left

Seasick Steve

 

In the spring of 1836, just one year before his death, the Italian poet Giacomo Leopardi wrote what is considered his poetic testament, La Ginestra o il Fiore del Deserto (The Broom or the Flower of the Desert). Starting off with the description of a flower of a broom plant growing on the arid slopes of the volcano Vesuvius, Leopardi progressed into a fiery attack against both the delusions of his century – which still believed in a ‘magnificent progressive fate’ – and those who failed to recognize the malignity of Nature towards us humans.
Nature in particular is targeted by Leopardi as the true enemy of humanity.

He has a noble nature
who dares to raise his voice
against our common fate,
and with an honest tongue,
not compromising truth,
admits the evil fate allotted us,
our low and feeble state:
a nature that shows itself
strong and great in suffering,
that does not add to its miseries with fraternal
hatred and anger, things worse
than other evils, blaming mankind
for its sorrows, but places blame
on Her who is truly guilty, who is the mother
of men in bearing them, their stepmother in malice.
They call her enemy:
and consider
the human race
to be united, and ranked against her”1
 

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