Django Uncharted: Stirner, Obama & The Good Ol’ White Guilt

Paolo Mossetti — Mon, 11 Feb 2013 13:04:59 +0000

America, 1858. Two individuals, an ex-doctor and a freed slave, turned into bounty-killers. They have zero concern for the welfare of their society and seem to be irreconcilable to each other but actually, as the tradition of spaghetti-westerns wants, they are associated by practical, monetary and private reasons. A true 'union of egoists' in the Old West, as Max Stirner would put it.

This was the intriguing subject of films as the Dollar Trilogy or Butch Cassidy, to which Tarantino owes more than a reference. “Egoistic unions” Leone-style have emerged, in fact, as an opposition to the lovely “liberal unions” of Traditional WASP Western movies – where the autonomy of action of the Lone Gunman, even when motivated by personal issues, was only a replacement of an evanescent State. On the contrary, in their temporary alliance, the bounty killers keep a healthy distance from an oppressive Society: they don’t respect it – they only utilize it. They transform the Law into their own property and their own creature.

through europe - cinema. egoism

Django Uncharted: Stirner, Obama & The Good Ol’ White Guilt