through europe - witt-eng

Image as Target

Nathan Witt — Mon, 11 Aug 2014 12:17:16 +0000

This is where I was. Images taken not for their image; the file data from walking around the West Bank in 2012, a month before Pillar of Smoke started in Gaza, of spending weeks lying on my back looking at planes under the Jordan flight path, stupidly thinking they were drones. Or getting up at 5 in the morning to get a bus somewhere to go for a walk, either with people or without people. Of going to 5^th Century AD Greek Orthodox monasteries that ISIS would be burning today if they were there. Of badly avoiding being a tourist or NGO worker in one place and an interloping gentile in the other. Of not wanting to take any sense of identity with me, either as a colonial and especially as a privileged artist/ hired gun.

Images taken because of I have always distrusted the image and not because of the cultural value in critiquing the occupation of Palestine, or the cultural value in discussing remote controlled surveillance and targeted assassinations. Distrusting an image is one of the few rights that I have as a person and it is both my responsibility and job when I have to call myself an artist. Those positions are not immutable or fixed, and neither, I - or my emotions - are fixed. I wish I could be a better, more objective conceptual artist who is coolly detached from the shit of the world but that would be a lie. What is underneath the surface of an image or embedded into it is a part-rejection and a part-suspension of things, it started by rejecting the social pandemic of the question or assumption that in an image: quantity of labour equals quality of an argument. The social/ cultural obsession with production, labour, sheen and veneer... Now, the labour is in the data of an image.

A Modest Proposal (after Jonathan Swift)

Nathan Witt — Thu, 06 Feb 2014 11:42:51 +0000

Vandalised mansion in Aley, used as an IDF outpost during the 1982 Lebanon War.

This text started as a result of a workshop in June 2013 called On the Politics of Silence and Speaking by the Danish artist Sidsel Nelund and philosopher Nikita Dhawan at 98 Weeks, Beirut, part of Ashkal Alwan’s Homeworks 6. I have tried to incorporate Sidsel and Nikita’s ideas to my own disparate ideas and footnotes about conceptual art that are not necessarily about identity and representation and to tie in ideas from Jacqueline Rose’s The Last Resistance into some of my own ideas about Palestine, Israel and Lebanon - and finally two despondent scenes from Richard Linklater films.

I would like to discuss the legal ambiguity of other but it is such a large subject and it needs serious legal qualifications. Examining The Special Trial for Lebanon in The Hague, to the cases of Assange and Snowden and also the Protected Characteristics Act in relation to the case of JK Rowling’s moniker Robert Galbraith being leaked; they are all of great importance and hopefully to be addressed at a later date.

Zakira/Memory

Nathan Witt — Wed, 11 Sep 2013 16:18:57 +0000

This text comes at the time of great worry for the neighbouring countries of Syria as the violence threatens to spill over further and that there is a consensus to let Syria sort its problems out itself without foreign intervention. It is important to consider the fact that this following text exists as a result of illegal activity in neighbouring Israel that has continued since the second world war to present day and that any military intervention against Syria only serves Israel’s interests, either as a diversion for the continual expansion and even advancement further into the West Bank, or for any additional advancement that borders Syria, either for water or land, or for testing out military capabilities. I find it genuinely hard to see if Israel has any concern for its civilian population given its behaviour in international and regional affairs over the last 65 years and the State’s refusal to desist in both the advancement of settlements or further attacks and incursions into the West Bank, Gaza, Southern Lebanon, Jordan River or Golan Heights. An allied attack by the US, France - or Israel - on Syria is going to be catastrophic for the region’s stability. Watching Britain’s offering of televised democracy to pull out of military intervention was a tormenting relief that was almost surreal in both the immediacy of the decision and that the government was actually listening to the public.

Abandoning Nationality and Superstition

Nathan Witt — Mon, 06 May 2013 15:56:40 +0000

If you take a city such as Salonika or Smyrna, you will find there five or six communities each of which has its own memories and which have almost nothing in common. Yet the essence of a nation is that all individuals have many things in common; and also that they have forgotten many things. No French citizen knows whether he is a Burgundian, an Alan, a Taifale, or a Visigoth, yet every French citizen has to have forgotten the massacre of Saint Bartholomew,’ or the massacres that took place in the Midi in the thirteenth century. There are not ten families in France that can supply proof of their Frankish origin, and any such proof would anyway be essentially flawed, as a consequence of countless unknown alliances, which are liable to disrupt any genealogical system.(1)
Ernest Renan, lecture given at the Sorbonne, 1882.

This is an idea inspired by a comment about Cairo’s City of the Dead as a place where the spiritual goal is to celebrate the absence of judgment, which is to be left for God(2) and in many other people’s case in God’s absence. The City of the Dead reveals more than a vernacularized classification of death or the cultural appreciation of idol worship - regardless of being urban or rural. It is also a place of mutual habitation between the living and the dead where people live, cleaning the family house: the Leichenhauser. That habitation is mirrored, anchored, by the collective memories of people and amnesia, trauma and other emotions. This text is nothing but an attempt to try and encourage an aspiration and joy towards an abandonment of judgementalism in social spaces without discussing participation or religion. The migrancy of people from the countryside to a necropolis might not be borne out of a desire to participate but socio-political pragmatism, or human despair- and motives that are also prone to migrate and change.

Triage Unit, Lewisham Hospital Psychiatric Observation Ward/ Schadenfreude

Nathan Witt — Mon, 18 Feb 2013 10:30:07 +0000

We present a text that has been brought to us by Nathan Witt, as part of an on-going conversation on psychopathology, nature and suicide. Others authors included in the conversation so far have been Franco Berardi Bifo, Federico Campagna, Paolo Mossetti and Oana Parvan.

Notes:

7 days is the standard monitoring duration before they determine the course of treatment for the patient.

Description of the unit.

Lift> Hallway> Reception> Decompression/ Containment/ Screening> Main eating area and table tennis table> Kitchen to left> Laundry room to the right> Shared toilet> TV room to the right, off the main eating area> Quiet room on left> Followed by art room>Medication room on right> Followed by assessment room> Shower on same side> At end of hallway of all the rooms is the reception that faces you as you walk through these rooms. To the left of the reception are the female rooms and to the right is a sofa, waiting area followed by the mens rooms. On the right of the hallway is a unisex shower/ toilet and then the dorm rooms start, at the end of the corridor of the mens ward is the staff room. Most of the shouting comes from the women’s side.

Thoughts on Zizek’s Metastases of Enjoyment, in particular: Does the Subject Have a Cause?

Nathan Witt — Wed, 05 Dec 2012 21:52:33 +0000

Note: heavily pixelated latitude and longitude. Google Earth “inhibited” on the West Bank of the dried up Jordan River, probably suppressed to conceal the illegitimate activity that Israel is undertaking. Up until lately street names have been absent and the massively inferior pixel quality in the Occupied Territories is palpable. You can see the disparity to the neighbours- even from a high altitude- the evergreen, the suburban, the maximum security, the loaned up the hilt, the after-the-event-archaeology-as-tourism; many sites of which rested in the rubble before the Nakbah and some of which ended up in the rubble as a result of the Nakbah. A shifting sea of rubble. Looking at Palestine in Google is an insult to the eyes, as this is a piece of franchised software that has been politicized way before the idea. Again, you can clearly see the disparity in the colour of the land between Israel and Palestine, the thirsty, insatiable occupier who is draining the Jordan and Golan Heights, as well as other basins, which it has done from day one. You can see the pathetic impotence of UN Boundaries, International Boundaries, Oslo Accords, Armistice Boundaries and anti-social historic walls of archaeological importance- but not the massive long concrete walls that encircle most of the country like a grey carbon seeping reptile- as David Icke would put it.